The Painting Behind You
Waves and the Ocean: Being Seen by Awareness
August 5, 2026
dialogue

The Painting Behind You

La Pintura Detrás de Ti

A question about the origin of the name "Accepting Love," and how the words of a teaching are heard differently before and after a shift in understanding.

The Painting Behind You

A question about the origin of the name "Accepting Love," and how the words of a teaching are heard differently before and after a shift in understanding.

Thank you for the meditation. It was beautiful, such deep silence that there were no questions and no need to interrupt it. It was so full in itself. But since we have this opportunity to talk to you, I did have one question I never asked you: how did the name "Accepting Love" come about?

It really came shortly after a big shift happened for me. I was writing, actually, trying to clarify something for another person, and the phrase "accepting love" was there in the writing. Later I extended that writing, and it's on my website now. I extended it because it seemed to me there was something I hadn't heard or read anywhere, at least not in the way I had experienced it.

Hearing the teaching through thought

This is often what happens in shifts and awakening. Certain things are said and described in a particular way, and then when a shift happens, it commonly doesn't seem to match how it was described. It took me many months to realize, in a sense, and to put words to what had happened. For a while I felt a bit of frustration with my teacher. I kept thinking, why did he never talk about this, never describe it in this way?

Then I went back to his recordings, and it was there. It was described. It was talked about all over the place. But before, I had been hearing and interpreting it through thought, so I was imagining it to be a certain way. When the shift happened, I knew it directly, and it had nothing to do with how I had imagined it. That is why I thought he wasn't talking about it. Going back to the recordings, I realized he was. He even used to say, "You are going to imagine something from what I'm saying, and it is not what you're imagining." But that didn't help. The mind still created an image.

Love as prior, not as action

"Accepting love" was a formulation that came up for me early on. In my interpretation, love was something I needed to do, or to allow, some kind of action, some kind of doing. Then I realized it went the other way. All of what I was doing was resisting it. My teacher used to say this too, in a different way, though again the way he talked about it and the way I imagined it were different.

Part of that shift, and "accepting love" is only one aspect of it, was the sense that everything I was doing was the denial and resistance of a love that already is. So in a sense the shift was accepting. Although "accepting" is a strange word, because I don't think we can accept anything. A better word is surrendering. But that too can become an instruction, "one must surrender," when really one can surrender, one can practice surrender, practice accepting. And in a sense you can, because you can see how resistance appears.

What happens, at least as I experience it, is that one can realize the acceptance already is. One can realize the love already is. "Accepting love" was just an earlier way of describing it, and also a way of saying that it is about love. Ultimately, for me, it is about love.

Resonance with Christ

In that sense I depart a little from Eastern spiritual philosophy. I'm more Christian, though I am not Christian. I was raised in a Christian society, obviously, in the West, but I never felt that I was Christian, and I wasn't raised Christian in my family. It was more that over time I recognized more and more how much I resonate with Christian teaching, and with Christ, to my surprise. My personality and my mind are much more Buddhist, more rational and scientific. But at the deeper level, I resonate with Christ.

That's my answer. Honestly, when I was looking for a name for the website, I had already given that title to the article, which began as a written response to a friend, and it simply became that. I never changed it.

Thank you. I understand what you mean about "accepting" or "surrender" sounding like instructions, when really it is almost the fabric of what is, the essence of it. How you accept, how you surrender, just seems to happen. There is no "how" in it. That's what I found. You just relax into it, or let it happen. It's a strange one to explain, but it does feel like it's simply here.

It's like telling the wave to surrender to the ocean. The wave only needs to realize it is the ocean, or to accept that it is the ocean. It isn't an action. It's an identity shift, the dropping of the identification with the wave. Once the wave realizes it is water, it cannot experience itself as a wave anymore, because the water is not a wave. The water always is.

Description versus prescription

I love a phrase that's used a lot: it's a description, not a prescription.

The thing is, both are valid. This is a kind of debate in forms of teaching: what is valuable, what is useful. I think both are useful, but it helps to understand what is being said, whether it is a description or a prescription. A prescription is a teaching or pointing that points toward some kind of practice. A description is an attempt at naming the nameless, describing reality. Both help.

This is what happened with my teacher. Where I thought he was being poetic and metaphorical, he was being literal. And where I thought he was being literal, he was being poetic. I was simply missing it. When I thought he was offering abstract poetry, he was trying to describe his experience of truth and reality directly. For me it was just poetry, or I thought he was intentionally being poetic.

The painting you cannot see

It's like trying to describe a painting that is behind someone. They cannot see it, and only you can. You describe it and describe it, for years and years, and the person who cannot see it imagines the painting. You can describe it for years, but once they finally look at the painting, they say, "That's not what you were describing at all. It's nothing like that." Then they can see, "Oh, I understand why you said it that way. Now it makes sense." But the first impression is that it is nothing like what they imagined.

That was my experience. What I actually looked at was so different from the painting that had been described to me. I felt, "No, this is what it is. This is very new." I had never read or heard about it anywhere. Then, going back to the writings, to Eckhart Tolle's book, I thought, "My God, it's perfect. It's just so perfect." When I had read it before, it seemed simple. I thought it was a great book, but only going back to it did I realize why it is such a significant book. It's just so perfect.

Reading the same words again

It's the same for me. I've been to Adyashanti's satsangs, traveled to the U.S. a few times. Back then I listened to him almost like birdsong, like music. Now that I've started going back to his recordings, wow, I'm hearing it almost for the first time, really hearing what he was saying. It's the same with The Power of Now. I've probably read it three times.

That's the one I was referring to. Eckhart Tolle.

It was the same. I had it all outlined from previous readings, and now I see new things I had missed, passages I hadn't underlined. The depth just seems bottomless. You keep seeing more and more of it. Thank you.

Thank you very much.